Local drama,独家资讯 especially local small dramas, how to use the national and local art "big festivals" to activate innovative passwords and stimulate creative vitality. It is a topic worthy of attention on a larger platform.
In recent years, the continuous acceleration of urbanization and the iteration of opera audiences have made the markets of some local operas become smaller and smaller, activity is getting lower, and creative.The reason why many local play is constantly creating works and rehearsing new dramas, which is closely related to various art festivals and theater festivals.Various forms of professional festivals and professional events have made the grassroots colleges emerge, making local dramas know.This phenomenon is obvious at the 15th Guangdong Art Festival.
From the beginning of November 14, it continued until the 15th Guangdong Art Festival at the end of December.Arts festival.Since its establishment of the Guangdong Provincial Art Festival in three years, since its establishment in 1984, a number of reputations and markets of the Lingnan Stage Creator, which have excellent talents and a batch of talents, have moved towards the whole country and the world.For grassroots colleges and local dramas, art festivals are important platforms for mobilizing local enthusiasm, integrating local cultural resources, and showing the vitality of the drama.Judging from the 40 dramas of the 15th Guangdong Provincial Art Festival, including both Cantonese Opera, Tide Opera, Guangdong Han Opera, Thunder Opera, etc.Wait for rare dramas.Among them, the works selected by the Western Qin Opera are a modern drama. This is also the rare drama of the Minnan language system formed from the western Qinqin of the west of the Ming Dynasty from the northwest of the Ming Dynasty and the beginning of the Qing Dynasty.The grassroots colleges and local governments use art festivals as their creative nodes, organize creative power, tap local culture, mobilize local resources, and bloom in the provincial art festival in the best state.There are many remarkable among them.For Meizhou, there are two city and county opera troupes in the city and a county -level puppet drama troupe.In the last Guangdong Provincial Art Festival, Meizhou shined, and it was commendable for the first prize with four major dramas and the first prize.In my opinion, the "Meizhou phenomenon" not only stems from the sense of responsibility and mission of local opera workers in the ecological construction of the local opera, but also inseparable from the emphasis on local government's emphasis on local opera art and the trust and support of professional creators.As early as the reform of the academy in 2012, Meizhou made up his mind and spent his strength to protect the opera troupe and the Chinese Theater.At this provincial art festival, five major dramas in Meizhou have entered the final evaluation. In terms of quantity, the province's prefecture -level level is the best. This has a great relationship with the retaining team and raising soil that year.
If Meizhou's creation is active, it is persistent and deeply cultivating after the sweetness of the provincial art festival. Then, Shenzhen and Huizhou and other places are to make up for shortcomings and work hard.In the last Guangdong Provincial Art Festival, Shenzhen won the first prize was a symphony. In this session, Shenzhen has initiated early and launched the "Wing Chun" of the "out of the circle".In less than a year after the show, there have been more than a hundred performances, expressing the posture and self -confidence of the Lingnan story and the Chinese story.Huizhou City, as the last Guangdong Art Festival branch venue, has no work participation.In the past three years, Huizhou took a sigh of relief, using the art festival as a node, relying on the only professional art group of Huizhou Song and Dance Troupe, the only professional art group in the city has paid close attention to artistic creation, and successively launched works such as drama, fishing songs, dance dramas.
This art festival has also set up a "small theater" section in the participating repertoires to allow more experimental, pioneering, small, small and beautiful works to enter the competition, and also allows young artists to have more experimental fieldsEssenceOf the six small theater works, two are Cantonese opera.As a Guangdong drama, while the Cantonese opera continues to be innovative on the big stage, it is also trying to enter the audience, especially the young audiences in the field of small theaters, and they often have a market group with more purchase intentions and spreading activity.
For a period of time, there was a voice of questioning of the professional stage art festival. It was believed that many works were purely participating works and festivals. Once they participated in the evaluation, they won a award, that is, the knife and guns entered the warehouse and Ma Fang Nantong.This phenomenon cannot be said to have no, and even exist within a certain range, but I personally think that this view cannot cover the art of festival celebrations on stage creation, especially grassroots college stage creation.Slotting methods, improving the promotion of the people, improving the communication methods, especially the introduction of market evaluation mechanisms.